“The absolute terror of freshman in college for 90 percent of the population is public speaking. I never understood it because I had already been on a stage in front of thousands of people, and it was no big deal. For me communication, presence, poise, and confidence are all things that any good business person has to have.”
“You’ve got to get to the point where you can make a presentation in a small room or make a presentation at a big gathering. Those performance skills that a musician would learn really translate well.”
Dean Deyo, CEO & Drummer
Retired Division President & CEO, Time Warner Corporation
“Craig’s new book is a gem and I enthusiastically recommend it to you. Craig has chosen an outstanding topic and interviewed leaders from a wide variety of domains about their musical backgrounds. Music does indeed matter…and Craig shows the way. I remain particularly impressed because Craig walks this walk…he is himself a musician and composer.
His post-Katrina ode to the Crescent City is heartfelt and wonderful. The book will be out in September…put it on the must buy list.” July 24, 2009
Michael Guillot, Scholar – Practitioner, Antioch University
CBS News’ Assignment America did an amazing story Friday on Andy Mackie, a 70-year old man who believes in the power of music. After 9 heart surgeries, doctors had prescribed 15 medications. One day he tired of the medications and decided to buy 300 harmonicas and lessons for school children with the money he would have spent on medicine. He thought it was the last thing he’d ever do.
Eleven years and 13,000 harmonicas later, Andy is still going strong. “I guess they don’t need a harmonica player in heaven yet,” says Mackie, a retired horse trainer who lives a modest life in a trailer in upstate Washington.
On of the great skills required in the 21st century business world is the ability to combine ideas in ways that create synergy. I’d like to thank a friend who introduced me to Equestrian Angels and thought perhaps combining music and animals would bring joy to the lives of others.
The attached photo collage is from our visit with some special needs children at Marie Riviere school in Metairie, LA.
I gave a presentation to the Cortana Kiwanis Club of Baton Rouge, LA last week regarding the content of my upcoming book, Everything We Needed to Know About Business, We Learned Playing Music and the lessons of a music education that apply to the world of business.
After the presentation, one of the members of the club asked for a show of hands of how many members of this community service oriented business professional group had some type of musical background. It seemed to me that about 50-60% of the members raised their hands.
John Snyder, Coordinator of Music Industry Studies at Loyola University in New Orleans, launched a website a few years ago to serve as a resource for music industry professionals. ArtistsHousMusic.org was also launched with support from Herb Alpert, legendary recording artist and co-founder of A&M Records.
The website contains a wealth of interesting and educational content, much of it video-based for those of you who would rather watch than read.
As a strong advocate for the benefits of music education, I find some recent statistics from the Center on Education Policy disturbing. Since the implementation of the No Child Left Behind it seems that schools are allocating more time to math and English at the expense of other subjects due to pressures to demonstrate results on standardized tests.
Yet I have found in my research that music education has a tendency to keep students involved who don’t feel part of the mainstream, wouldn’t ordinarily be interested in school, or who might have dropped out altogether.
In short, we are cutting back on the programs that actually keep children from being left behind. Oh, the irony.
Stanley Jordan is a GRAMMY-nominated and groundbreaking jazz guitarist. His unique tapping technique gave the instrument new possibilities, allowing the freedom to generate independent sounds with both hands. Stanley is also a tireless proponent of the power of music, including the field of music therapy.
It seems that vinyl albums are popping up in stores again these days. Indeed, I’ve heard from audiofiles that they prefer vinyl because although CD’s are a cleaner sound in terms of background noise, vinyl has a warmer feel and sound – Like you’re in the studio with the musicians when they were recording.
There were also aspects of the physical nature of the large album cover, photos or posters that were often included, and inserts or extensive liner notes that often accompanied vinyl albums.
Here’s an excerpt from my upcoming book from my interview with Joe Santa Maria, a guitarist/singer/songwriter from Worchester, MA regarding the thril of vinyl:
“I can still remember that Christmas my mother got me the best gift in the world, The White Album,” he said. “The double records and the posters and the pictures. I can still remember coming home from Christmas. I couldn’t play the record. I got it, but then I couldn’t play it [until he came home later that day]. I had to walk around with it all day.”
He added, “Coming home Christmas night and crawling into bed and just looking at The White Album! Like ‘I’ve got The White Album!’ Looking at the lyrics and then just playing it really soft so no one could hear it. And to this day, it’s still my favorite album of all time.”
“That is missing from music now,” he said in reference to the purchase of tangible vinyl as opposed to digital downloads. “I can’t wait to see what the cover looks like, and I can’t wait to flip it over and stare at it while I’m listening to it. The bands don’t have that kind of lure to them. You had no money, so it was a big deal that you bought it. It was so much fun.”
Thoughts on Music, The Universal Lessons of Music Education, Creativity, and Life