It is said that truly great musicians give the same inspired performance whether the audience numbers 5 or 5,000. I was reminded of that fact when we traveled down to the French Quarter last Saturday night to let my son Michael capture a few late night photos. On the “Moonwalk” that borders the Mississippi River, we came across this New Orleans Street Musician with nothing but a harmonica, a microphone, and a small amplifier. We encountered him, alternatively blowing his instrument and wailing bluesy lines for a handful of late night strollers around 11:00 p.m.
For more great New Orleans photos, visit Michael Cortello Photography .
This week my cover story for local entertainment publication Where Y’at magazine’s New Orleans Jazz Fest issue: Interview/profile of legendary jazz musicians/educators Ellis Marsalis, Harold Battiste, and Irvin Mayfield.
Thanks again to Laura Tennyson, Communications Strategist for the New Orleans Jazz Orchestra for arranging this interview and to Josh Danzig and the staff at Where Y’at magazine for the assignment. Photo credits: Romney Photography
(From left to right: Ed Petersen (standing – recent performance paying tribute to the music of Harold Battiste), Harold Battiste, Irvin Mayfield, Jr., Victor Atkins (standing – recent performance paying tribute to the music of Ellis Marsalis, Jr.), and Ellis Marsalis, Jr.
If those of you living outside of New Orleans want to know why natives like me love it here, one reason is the plethora of and accessibility to great artists. The artistic ability per square mile in this city is astounding. I wrote an article that will appear in local entertainment publication Where Y’at magazine during New Orleans Jazz Fest in late April/Early May, and had a chance to interview legendary jazz musicians/educators Ellis Marsalis, Harold Battiste, and Irvin Mayfield.
I never get tired of speaking to great musicians and artists, particularly about the creative process and the courageous nature of developing your artistic gift in the face of daunting challenges. Here’s an excerpt from my interview – a quote from Irvin Mayfield, Artistic Director of the GRAMMY Award-winning New Orleans Jazz Orchestra and of the New Orleans Jazz Institute at the University of New Orleans, regarding his esteemed predecessors in jazz and music education:
“Nobody starts to play basketball because they had a great coach. They play basketball because they saw Michael Jordan. As much as I have respect for all of the classroom time that these gentlemen (Marsalis and Battiste) have spent, I would never have been interested in them if they couldn’t play. We call these guys educators, but was Louis Armstrong any less of an educator? Was Cannonball Adderley any less of an educator? Was Miles Davis?”
- Irvin Mayfield
(Pictured left to right, Myself, Irvin Mayfield, and Ellis Marsalis)
Thanks to Laura Tennyson, Communications Strategist for the New Orleans Jazz Orchestra for arranging this interview and to Josh Danzig and the staff at Where Y’at magazine for the assignment.
In 1985, David Lee Roth’s recording of “Just a Gigolo” hit the Billboard top 40. While many of my friends who grew up in the era of music video considered it a new song, there was nothing new about the song if you grew up in an Italian-American family in New Orleans.
Louis Prima was one of the most dynamic performers of his era, and his 1950′s Vegas show was a favorite stop of many of the celebrities of the day, many of whom rose to greater levels of fame and success. But they realized that Louis Prima was one of the most dynamic musicians in the business, and he had a rare gift. No performer exuded the joy of playing music like Louis and his band (The Witnesses led by sax player Sam Butera).
My fellow Sicilian-American, New Orleans native would have been 100 years old today. His son Louis Prima Jr. currently performs a tribute show to his dad. The music of Louis Prima has been rediscovered by new audiences through remakes by David Lee Roth, Brian Setzer, and other artists. His music has also been re-discovered and utilized by TV commercial and film producers.
Prima’s success was a great source of pride in my family growing up, and it was only later in life that I began to understand why. Here’s one my favorite (thought somewhat lesser known) Louis Prima songs, “Banana Split for My Baby.” Happy Birthday, Louis.
Jazz clarinet legend Pete Fountain celebrated his 80th birthday yesterday. Pete had over 50 appearances on the Tonight Show, and was a favorite of legendary host Johnny Carson. He has recorded about 100 albums. He lost many of the artifacts documenting his accomplishments in Hurricane Katrina, but he continues to perform.
I had the pleasure of interviewing Pete in 2008 for Where Y’at magazine in New Orleans. The photo here is of Pete and I from the interview, along with Pete’s son-in-law/manager Benny Harrell.
Link to the article “Every Note Has a Smile”
When Ms. Romy Kaye and I recorded our album New Orleans is the One I Love, Pete’s protegé Tim Laughlin recorded several tracks using a custom-made clarinet given to him as a gift by Pete, and it sounds extraordinary. “There’s no better clarinet player in the country now,” said Pete of Laughlin.