In 2008, I conducted a series of interviews with music educators, professionals, musicians, and advocates articulating the universal benefits of music education and participation. One of the most memorable of those discussions was with Dave Wish, founder and Executive Director of the non-profit, “Little Kids Rock.” LKR provides musical instruments and instruction to at-risk kids and teachers.
Great points made by Dave that should be staples of any music enthusiast’s/advocate’s discussions!
A brief word of thanks to Choral Director magazine for a mention of my book Everything We Needed to Know About Business, We Learned Playing Music in their July 2010 issue. The website and magazine has a number of great resources for Choral Directors and for music education advocates.
In my research for the book Everything We Needed to Know About Business, We Learned Playing Music, Genevieve Thiers, CEO and founder of Sittercity.com and opera singer discussed one of the lessons of her music experience that served her very well in starting her company – the concept that the process of auditioning helped her develop a thick skin and a fearlessness that was invaluable in establishing her start-up business.
Pop/Rock recording artist Sheryl Crow echoes those sentiments in this excerpt from an interview at the Academy of Achievement:
“My mother says I have a lot of “chutzpah.” I did. You know, I was really naive about my career. I just figured if I kept working hard, and if I just seized moments, that things would happen, and that is really the way it worked. I was doing a recording session for a jingle, I believe, and I overheard some singers talking about an audition that was closed, supposed to be on recommendation, and I found out where it was and I went, and that’s how I got it.”
Alan Zweibel hosts this month’s Music Education Blog Carnival, a compilation of blog posts related to music education that appears at a different music education bloggers website each month during the school year. Thanks to Alan for compiling this outstanding resource and for including me in this month’s edition: Link to the May 2010 Music Education Blog Carnival
Continuing with our series of audio excerpts from the interviews conducted in the research for my book Everything We Needed to Know About Business, We Learned Playing Music: Dean Deyo, President of the Memphis Music Foundation & Retired Division CEO/President of Time Warner Corporation discusses the role that music had on developing his communication, poise, confidence, and public speaking abilities needed to succeed in business.
I’ve seen a number of articles and blog posts recently criticizing the use of the word “advocacy” with respect to music education. The sentiment seems to revolve around the theory that the term paints music education into a sympathetic corner, and it’s hard to get people galvanized by playing the sympathy card.
These are the musings of the “over-analysis” crowd. Essentially, advocacy is a term that is almost universally recognized by the music community and provides a basis for communication regarding activity and resources. I don’t think that the people that we need to move to action (primarily those outside of the arts community) to drive meaningful change really care what we call efforts to promote music education. Don’t worry about the jargon – just spend your time rallying support!
With that thought in mind, here’s a list of “Music Advocacy Links” from the website SchoolMusicMatters.com
We spend a lot of time justifying arts education from all different angles. That’s fine. But let’s not lose sight of what’s important. More and more in the future, as we see that our insatiable appetites for consumerism fail to satisy our hunger for happiness, our choices will be driven by quality of life determinations. Here’s what a colleague has to say about justifying the arts:
“In education, there is a connection between all of the pieces,” said Michael Guillot, former Vice-President for Patron Services and Chief Advancement Officer for the North Carolina Symphony. “Language, music, mathematics, and science are connected to our cognitive functioning. Any time I improve cognitive functioning in one place, odds are I’m going to get it in other places as well.
“But I’ve got to tell you, the other case we make is that in and of itself, art is worthy. If it had no effect on those others, it really wouldn’t matter. It is a pursuit of quality of life, of personal joy, of meaning…And I don’t want to get away from that.”
Brief excerpts from the interviews that I compiled researching my new book. You’ll get a sense of the joy that I experienced discussing the power of playing music with these amazing CEOs and business leaders/musicians!
Stanley Jordan is a GRAMMY-nominated and groundbreaking jazz guitarist. His unique tapping technique gave the instrument new possibilities, allowing the freedom to generate independent sounds with both hands. Stanley is also a tireless proponent of the power of music, including the field of music therapy.
Here’s an audio excerpt from our conversation regarding the amazing ability of animals to decifer the intracacies of music: Stanley-Jordan_Animals-and-music