I’ve never been one to jump at trends, so I must admit that I didn’t watch the first 3 years of the show American Idol. But soon thereafter I became hooked. As commercially overblown as the show has become, it is so very compelling because so much is at stake and such young performers must give it their best on the spot several times over.
This season I can’t help but root for Naima Adedapo. I must admit my affinity for jazz makes these sentiments far from objective, as her absolutely sultry performance of the standard “Summertime” was scintillating. She works as janitor, which is hard to believe when you seen her perform – and how can you not root for her. The judges avoided a grave injustice (well as grave as a singing competition decision can be) by allowing her to enter the sing-off and compete for a “wild-card” spot in the finals after the voters had failed to vote her in. She then gave an emotional performance on the verge of tears, and showed why she is such a compelling performer – she has emotion to complement her skills.
“There is so much in jazz music to be studied and to be learned, and so little education. I could go on and on and on, just about what Duke Ellington did. And, also the romantic connotations of the music. The music had the effect of liberating a lot of the people from this Victorian image of sexuality. But, for some reason people still think they need to be liberated from that. This is something jazz music was doing around the turn of the century. And, now it’s degenerated in the modern era to the type of vulgarity that is represented by rock and roll, which parades under the guise of giving you sexual freedom, when it’s really, truly, sexual repression.
“Sexual freedom is found in the sensuality and the romance and the lyricism of the great songwriters like George Gershwin and Cole Porter and Duke Ellington, and of the great instrumentalists like Louis Armstrong and Lester Young. These people had a truly romantic conception that was based on elevation of the relationship between a man and a woman, rather than the denigration of it into just some abusive adolescent sexual discoveries.”
To read the entire transcript go to Achievement.org.
To sample Wynton Marsalis’s He and She album, click here.
To read my review of He and She for Where Y’at magazine in New Orleans, click here.
To read my interview with Wynton’s father, Ellis Marsalis, Jr., including his thoughts on raising children, click here
Jazz Musician who tackled business skills..http://ping.fm/Xxda1